Jean Barreau leads a spiritual commune on the countryside and promises his followers a chance for a second life. When their doubles arrive at the house, the followers learn that Jean meant his promise of a second life quite literally.
When a couple visits a remote cabin and cross paths with a compulsive liar, their vacation takes a dramatic turn for the worse.
Tout va pour le mieux dans la vie sans histoires de Fanny... jusqu'au jour où elle découvre que son fils chéri, Arthur, 9 ans, est le bouc émissaire de trois garçons de son é(📴)cole. Fanny ne laissera pas seul son fils face à ses petits bourreaux : elle va rendre à ces sales gosses la monnaie de leur piè(❤)ce. Coups fourrés et pièges de cours de ré(✊)cré, désormais ce sera "oeil pour oeil et dent pour dent".
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
Identical twin brothers become hybrid A.I (artificial intelligence) entities, yet torn in different directions to achieve justice for humanity.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
巴勒(lè )斯坦(🐌)電(diàn )視(🚉)台攝(shè(🌶) )製臥底(dǐ )肥皂劇，連(🏯)以色列(📝)婦孺都晚晚追看(kàn )。編劇(jù(🦋) )因情節(🛰)(jiē )背離革(gé )命而辭職，監製(🎡)的多口(🏼)侄仔助理受(shòu )命執筆(bǐ )，頻(💉)頻(pín )借(🕧)(jiè )女角(➰)(jiǎo )之口，向電視機前(🍷)的舊愛(⛄)示好，以(🕳)(yǐ )色列檢(jiǎ(📻)n )查站軍(🖍)(jun1 )官(guān )則(🥃)企(qǐ )圖(🏟)恃權影響劇(🥕)情發展(🙋)，以便在(🛷)追看(kàn )的嬌妻(qī )面(🐼)前自(zì(✋) )吹(chuī )自(👏)擂(lèi )。助理即使槍抵(🏉)腦殼，都(🆘)不肯接(🤚)受(shòu )軍官要(yào )求的(👎)大(dà )團(🌎)圓結(jié )局。抗(kàng )爭，必須繼續(🐻)！影展新(🖤)秀蘇亞比巧(qiǎo )妙調侃(kǎn )以(📮)巴關(guā(😜)n )係(xì )，他(tā )的喜劇座右銘是(🎶)：要能(💞)大笑，必(👚)須(xū )面對苦(kǔ )痛，並(👔)(bìng )與(yǔ(🔊) )之周(zhō(💒)u )旋。獲威尼斯地平線(📘)單元最(🏫)佳男主(㊙)(zhǔ )角獎。
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
遭到(🥍)友(yǒu )人(🐌)(rén )設局(🕗)(jú )而欠下大筆債務(🐺)的張父(🔽)，逼不得(😐)已(yǐ )帶著一(yī )家四(🕑)口(kǒu )承(🌅)(chéng )租花(🏈)(huā )蓮的一處 凶宅，此(🎵)處過去(🔸)曾發生了(le )駭人聽(tīng )聞的五(📊)(wǔ )子命(🌽)案(àn )。初入(rù )凶宅的當天，一(🎳)些若有(♈)似無鬼影幢(zhuàng )幢，加(jiā )上張(🛍)父(fù )突(🏷)(tū )如其(🌾)(qí )來的搬家舉動，惹(🛍)的張母(🥊)與大姊(🏣)心(xīn )裡不愉(yú )快。即(🔗)(jí )使(shǐ(🎚) )向張(zhā(🏆)ng )父抱怨，鐵齒(🥀)的張父(🐘)以一貫(🥉)不信鬼(🍉)(guǐ )神的態(tà(🛶)i )度，予(yǔ(🍩) )以(yǐ )拒(📜)絕(jué )。
